RAKU WARE

Raku tea bowls pioneered by the Raku family typically evoke a quiet image, deprived of decoration. However, it is surprising to know that quite a few examples with intricate designs and patterns have existed since earlier days of the Raku history. The patterns and drawings on these tea bowls hold various meanings.

One of the most frequently applied motifs in the works of the Raku successive generations is the chrysanthemum. The chrysanthemum, which possesses a strong vitality that withstands the cold, has been revered since ancient times as one of the ‘Four Gentlemen’, a collective term referring to four plants. When it first blossoms, it is white, but as frost touches the flower, it gradually turns purple. This transformation, where the flower takes on a new beauty different from its peak bloom, resonates with the tradition of the Raku family, which is likely why this motif has often been incorporated into their design.

This exhibition puts a rare focus on patterns and design applied on Raku ware, showcasing the beauty of form, the beauty bought out by glazes and kiln changes, and the hidden intentions and thoughts behind the design.